modes
A AeolianA AeolianThe natural minor scale - degree 6 of the major scale. Notes: A, B, C, D, E, F, G.A Altered ScaleA Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: A, Bb, C, Db, Eb, F, G.A DorianA DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: A, B, C, D, E, F#, G.A IonianA IonianThe major scale under a different name - degree 1 of the major scale. Notes: A, B, C#, D, E, F#, G#.A LocrianA LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: A, Bb, C, D, Eb, F, G.A LydianA LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: A, B, C#, D#, E, F#, G#.A Lydian DominantA Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: A, B, C#, D#, E, F#, G.A MixolydianA MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: A, B, C#, D, E, F#, G.A PhrygianA PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: A, Bb, C, D, E, F, G.A Phrygian DominantA Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: A, Bb, C#, D, E, F, G.A# AeolianA# AeolianThe natural minor scale - degree 6 of the major scale. Notes: A#, B#, C#, D#, E#, F#, G#.A# Altered ScaleA# Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: A#, B, C#, D, E, F#, G#.A# DorianA# DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: A#, B#, C#, D#, E#, F##, G#.A# IonianA# IonianThe major scale under a different name - degree 1 of the major scale. Notes: A#, B#, C##, D#, E#, F##, G##.A# LocrianA# LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: A#, B, C#, D#, E, F#, G#.A# LydianA# LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: A#, B#, C##, D##, E#, F##, G##.A# Lydian DominantA# Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: A#, B#, C##, D##, E#, F##, G#.A# MixolydianA# MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: A#, B#, C##, D#, E#, F##, G#.A# PhrygianA# PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: A#, B, C#, D#, E#, F#, G#.A# Phrygian DominantA# Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: A#, B, C##, D#, E#, F#, G#.B AeolianB AeolianThe natural minor scale - degree 6 of the major scale. Notes: B, C#, D, E, F#, G, A.B Altered ScaleB Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: B, C, D, Eb, F, G, A.B DorianB DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: B, C#, D, E, F#, G#, A.B IonianB IonianThe major scale under a different name - degree 1 of the major scale. Notes: B, C#, D#, E, F#, G#, A#.B LocrianB LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: B, C, D, E, F, G, A.B LydianB LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: B, C#, D#, E#, F#, G#, A#.B Lydian DominantB Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: B, C#, D#, E#, F#, G#, A.B MixolydianB MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: B, C#, D#, E, F#, G#, A.B PhrygianB PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: B, C, D, E, F#, G, A.B Phrygian DominantB Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: B, C, D#, E, F#, G, A.C AeolianC AeolianThe natural minor scale - degree 6 of the major scale. Notes: C, D, Eb, F, G, Ab, Bb.C Altered ScaleC Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: C, Db, Eb, Fb, Gb, Ab, Bb.C DorianC DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: C, D, Eb, F, G, A, Bb.C IonianC IonianThe major scale under a different name - degree 1 of the major scale. Notes: C, D, E, F, G, A, B.C LocrianC LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: C, Db, Eb, F, Gb, Ab, Bb.C LydianC LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: C, D, E, F#, G, A, B.C Lydian DominantC Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: C, D, E, F#, G, A, Bb.C MixolydianC MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: C, D, E, F, G, A, Bb.C PhrygianC PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: C, Db, Eb, F, G, Ab, Bb.C Phrygian DominantC Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: C, Db, E, F, G, Ab, Bb.C# AeolianC# AeolianThe natural minor scale - degree 6 of the major scale. Notes: C#, D#, E, F#, G#, A, B.C# Altered ScaleC# Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: C#, D, E, F, G, A, B.C# DorianC# DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: C#, D#, E, F#, G#, A#, B.C# IonianC# IonianThe major scale under a different name - degree 1 of the major scale. Notes: C#, D#, E#, F#, G#, A#, B#.C# LocrianC# LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: C#, D, E, F#, G, A, B.C# LydianC# LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: C#, D#, E#, F##, G#, A#, B#.C# Lydian DominantC# Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: C#, D#, E#, F##, G#, A#, B.C# MixolydianC# MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: C#, D#, E#, F#, G#, A#, B.C# PhrygianC# PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: C#, D, E, F#, G#, A, B.C# Phrygian DominantC# Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: C#, D, E#, F#, G#, A, B.D AeolianD AeolianThe natural minor scale - degree 6 of the major scale. Notes: D, E, F, G, A, Bb, C.D Altered ScaleD Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: D, Eb, F, Gb, Ab, Bb, C.D DorianD DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: D, E, F, G, A, B, C.D IonianD IonianThe major scale under a different name - degree 1 of the major scale. Notes: D, E, F#, G, A, B, C#.D LocrianD LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: D, Eb, F, G, Ab, Bb, C.D LydianD LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: D, E, F#, G#, A, B, C#.D Lydian DominantD Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: D, E, F#, G#, A, B, C.D MixolydianD MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: D, E, F#, G, A, B, C.D PhrygianD PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: D, Eb, F, G, A, Bb, C.D Phrygian DominantD Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: D, Eb, F#, G, A, Bb, C.D# AeolianD# AeolianThe natural minor scale - degree 6 of the major scale. Notes: D#, E#, F#, G#, A#, B, C#.D# Altered ScaleD# Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: D#, E, F#, G, A, B, C#.D# DorianD# DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: D#, E#, F#, G#, A#, B#, C#.D# IonianD# IonianThe major scale under a different name - degree 1 of the major scale. Notes: D#, E#, F##, G#, A#, B#, C##.D# LocrianD# LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: D#, E, F#, G#, A, B, C#.D# LydianD# LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: D#, E#, F##, G##, A#, B#, C##.D# Lydian DominantD# Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: D#, E#, F##, G##, A#, B#, C#.D# MixolydianD# MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: D#, E#, F##, G#, A#, B#, C#.D# PhrygianD# PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: D#, E, F#, G#, A#, B, C#.D# Phrygian DominantD# Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: D#, E, F##, G#, A#, B, C#.E AeolianE AeolianThe natural minor scale - degree 6 of the major scale. Notes: E, F#, G, A, B, C, D.E Altered ScaleE Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: E, F, G, Ab, Bb, C, D.E DorianE DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: E, F#, G, A, B, C#, D.E IonianE IonianThe major scale under a different name - degree 1 of the major scale. Notes: E, F#, G#, A, B, C#, D#.E LocrianE LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: E, F, G, A, Bb, C, D.E LydianE LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: E, F#, G#, A#, B, C#, D#.E Lydian DominantE Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: E, F#, G#, A#, B, C#, D.E MixolydianE MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: E, F#, G#, A, B, C#, D.E PhrygianE PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: E, F, G, A, B, C, D.E Phrygian DominantE Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: E, F, G#, A, B, C, D.F AeolianF AeolianThe natural minor scale - degree 6 of the major scale. Notes: F, G, Ab, Bb, C, Db, Eb.F Altered ScaleF Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: F, Gb, Ab, Bbb, Cb, Db, Eb.F DorianF DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: F, G, Ab, Bb, C, D, Eb.F IonianF IonianThe major scale under a different name - degree 1 of the major scale. Notes: F, G, A, Bb, C, D, E.F LocrianF LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: F, Gb, Ab, Bb, Cb, Db, Eb.F LydianF LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: F, G, A, B, C, D, E.F Lydian DominantF Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: F, G, A, B, C, D, Eb.F MixolydianF MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: F, G, A, Bb, C, D, Eb.F PhrygianF PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: F, Gb, Ab, Bb, C, Db, Eb.F Phrygian DominantF Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: F, Gb, A, Bb, C, Db, Eb.F# AeolianF# AeolianThe natural minor scale - degree 6 of the major scale. Notes: F#, G#, A, B, C#, D, E.F# Altered ScaleF# Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: F#, G, A, Bb, C, D, E.F# DorianF# DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: F#, G#, A, B, C#, D#, E.F# IonianF# IonianThe major scale under a different name - degree 1 of the major scale. Notes: F#, G#, A#, B, C#, D#, E#.F# LocrianF# LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: F#, G, A, B, C, D, E.F# LydianF# LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: F#, G#, A#, B#, C#, D#, E#.F# Lydian DominantF# Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: F#, G#, A#, B#, C#, D#, E.F# MixolydianF# MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: F#, G#, A#, B, C#, D#, E.F# PhrygianF# PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: F#, G, A, B, C#, D, E.F# Phrygian DominantF# Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: F#, G, A#, B, C#, D, E.G AeolianG AeolianThe natural minor scale - degree 6 of the major scale. Notes: G, A, Bb, C, D, Eb, F.G Altered ScaleG Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: G, Ab, Bb, Cb, Db, Eb, F.G DorianG DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: G, A, Bb, C, D, E, F.G IonianG IonianThe major scale under a different name - degree 1 of the major scale. Notes: G, A, B, C, D, E, F#.G LocrianG LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: G, Ab, Bb, C, Db, Eb, F.G LydianG LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: G, A, B, C#, D, E, F#.G Lydian DominantG Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: G, A, B, C#, D, E, F.G MixolydianG MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: G, A, B, C, D, E, F.G PhrygianG PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: G, Ab, Bb, C, D, Eb, F.G Phrygian DominantG Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: G, Ab, B, C, D, Eb, F.G# AeolianG# AeolianThe natural minor scale - degree 6 of the major scale. Notes: G#, A#, B, C#, D#, E, F#.G# Altered ScaleG# Altered ScaleThe 7th mode of melodic minor, also called Super Locrian - every alterable degree relative to the major scale is flattened except the root. Notes: G#, A, B, C, D, E, F#.G# DorianG# DorianNatural minor with a raised 6th degree - degree 2 of the major scale. Notes: G#, A#, B, C#, D#, E#, F#.G# IonianG# IonianThe major scale under a different name - degree 1 of the major scale. Notes: G#, A#, B#, C#, D#, E#, F##.G# LocrianG# LocrianNatural minor with a lowered 2nd and lowered 5th degree - degree 7 of the major scale. Notes: G#, A, B, C#, D, E, F#.G# LydianG# LydianThe major scale with a raised 4th degree - degree 4 of the major scale. Notes: G#, A#, B#, C##, D#, E#, F##.G# Lydian DominantG# Lydian DominantThe 4th mode of melodic minor (ascending/jazz form) - Lydian with a flatted 7th, combining a raised 4th with a dominant-quality seventh chord. Notes: G#, A#, B#, C##, D#, E#, F#.G# MixolydianG# MixolydianThe major scale with a lowered 7th degree - degree 5 of the major scale. Notes: G#, A#, B#, C#, D#, E#, F#.G# PhrygianG# PhrygianNatural minor with a lowered 2nd degree - degree 3 of the major scale. Notes: G#, A, B, C#, D#, E, F#.G# Phrygian DominantG# Phrygian DominantThe 5th mode of harmonic minor - Phrygian with a major 3rd instead of a minor 3rd, giving it a dominant-quality triad with Phrygian's tense flat 2 and flat 6. Notes: G#, A, B#, C#, D#, E, F#.